Twelve euros isn’t a lot of money. It can buy you two pints in an Amsterdam bar. It can buy you one gram of weed in one of the numerous coffeeshops around town. And as of Wednesday, December 12th, I found out that it can also get you a ticket to see indie rockers Of Montreal. Two nights in a row. With Girl Talk. Yes, you can be jealous.
Walking into Paradiso, one of Amsterdam’s premium music venues, I had no idea what was in store for me. I had assumed that Of Montreal would play on the main stage. Instead, I was pleased to discover that they were to play in a small room upstairs that probably holds no more than 300 hipsters. Score.
The room filled fast, and Of Montreal hit the stage full force, no opening band necessary. Even though the bright, eclectic outfits of all the band members and lead singer Kevin Barnes’ sparkled eye makeup would have been enough to keep my attention the entire set, it wasn’t necessary. The band launched right into their not-quite-12-minute masterpiece, "The Past is a Grotesque Animal" off of the 2007 release Hissing Fauna, Are you the Destroyer? (FYI, the song is also featured on my Best of 2007, in stores now). The show never slowed down as the quintet played most songs from Hissing Fauna and 1995’s Sunlandic Twins, with a few tracks from one of their numerous other albums. Barnes’ voice could only be described as heavenly, hitting some notes that I never realized were so high when listening to the albums. Highlights included a costume change for Barnes off stage as the band played the instrumental track "October is Eternal". The end of the song saw Barnes slither on stage in green, thigh-high fishnet stockings and a pair of jean booty shorts so tight that even I blushed when I first saw. I never blush.
The second half of the set was just as upbeat and energetic as the first, and after thirteen songs, the band left the stage, only to return and play "She’s a Rejector" as the encore. AND inform the crowd that they would be playing a free show the following night at the same venue with Girl Talk. This is where I would like to say thank you to the airport staff at the Athens, Greece airport. Because of your strike, Of Montreal could not play there the next night, and I got to reap the benefits. I hope your strike goes well.
The next night was just as good as the first, starting with a jam-packed room getting hot and sweaty to 1.5 hours of straight dancing to mashup DJ Girl Talk aka Gregg Gillis. He invited the crowd on stage. We went. Then we abused our power and took off his shirt to throw into the audience. And then we pulled his pants down. And that is how he dj’ed for the rest of the night. Track pants around the ankles and all.
Girl Talk ended at 12:30 and we had to wait until 2 a.m. for Of Montreal to take the stage. There were less people than the night before, seeing as the show was so late and there was a dance party going on in the main room downstairs. By the end of the show there were maybe 50 people in the room. Damn the ignorance of techno-loving Europeans. Regardless, Of Montreal played yet another stellar show, with only two tracks of the 15-song set being repeats from the night before. Even though I was a bit too drunk to fully embrace the full awesomeness that night, I definitely appreciated the cover of Prince’s "Purple Rain" as their final song. No encore came that night, as there wasn’t enough of a crowd to cry out for one. Unfortunately, the voices of myself and my friends weren’t enticing enough for Kevin and the gang. Alas, I left the room satisfied and feeling extremely lucky to witness what I did for the low, low cost of twelve euros.
Suffer for Fashion - Of Montreal
Forecast Fascist Future - Of Montreal
Walking into Paradiso, one of Amsterdam’s premium music venues, I had no idea what was in store for me. I had assumed that Of Montreal would play on the main stage. Instead, I was pleased to discover that they were to play in a small room upstairs that probably holds no more than 300 hipsters. Score.
The room filled fast, and Of Montreal hit the stage full force, no opening band necessary. Even though the bright, eclectic outfits of all the band members and lead singer Kevin Barnes’ sparkled eye makeup would have been enough to keep my attention the entire set, it wasn’t necessary. The band launched right into their not-quite-12-minute masterpiece, "The Past is a Grotesque Animal" off of the 2007 release Hissing Fauna, Are you the Destroyer? (FYI, the song is also featured on my Best of 2007, in stores now). The show never slowed down as the quintet played most songs from Hissing Fauna and 1995’s Sunlandic Twins, with a few tracks from one of their numerous other albums. Barnes’ voice could only be described as heavenly, hitting some notes that I never realized were so high when listening to the albums. Highlights included a costume change for Barnes off stage as the band played the instrumental track "October is Eternal". The end of the song saw Barnes slither on stage in green, thigh-high fishnet stockings and a pair of jean booty shorts so tight that even I blushed when I first saw. I never blush.
The second half of the set was just as upbeat and energetic as the first, and after thirteen songs, the band left the stage, only to return and play "She’s a Rejector" as the encore. AND inform the crowd that they would be playing a free show the following night at the same venue with Girl Talk. This is where I would like to say thank you to the airport staff at the Athens, Greece airport. Because of your strike, Of Montreal could not play there the next night, and I got to reap the benefits. I hope your strike goes well.
The next night was just as good as the first, starting with a jam-packed room getting hot and sweaty to 1.5 hours of straight dancing to mashup DJ Girl Talk aka Gregg Gillis. He invited the crowd on stage. We went. Then we abused our power and took off his shirt to throw into the audience. And then we pulled his pants down. And that is how he dj’ed for the rest of the night. Track pants around the ankles and all.
Girl Talk ended at 12:30 and we had to wait until 2 a.m. for Of Montreal to take the stage. There were less people than the night before, seeing as the show was so late and there was a dance party going on in the main room downstairs. By the end of the show there were maybe 50 people in the room. Damn the ignorance of techno-loving Europeans. Regardless, Of Montreal played yet another stellar show, with only two tracks of the 15-song set being repeats from the night before. Even though I was a bit too drunk to fully embrace the full awesomeness that night, I definitely appreciated the cover of Prince’s "Purple Rain" as their final song. No encore came that night, as there wasn’t enough of a crowd to cry out for one. Unfortunately, the voices of myself and my friends weren’t enticing enough for Kevin and the gang. Alas, I left the room satisfied and feeling extremely lucky to witness what I did for the low, low cost of twelve euros.
Suffer for Fashion - Of Montreal
Forecast Fascist Future - Of Montreal
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